wholesale stamped jewelry supplies List the silver cultural characteristics of five minority ethnic groups

luxury costume jewelry wholesale The Manchu, Mongolian, Tibetan, Uyghur, Kirgiz, Kazakhs and other ethnic groups are gorgeous. They are inlaid with jewelry such as corals, pine stones, amber, pearls, and emeralds. The Tibetan gold work skills were introduced when Princess Wencheng entered Tibet. It was passed down from generation to generation. So far, the Tibetan craftsmen still maintain the traditional goldwork skills of the Tang Dynasty. The patterns on the silver decoration include almost all the popular decorative patterns in the Tang Dynasty. Aquarium silver jewelry is known for its filament. Its craftsmen are good at flowers and pearls, Panlong Tuanfeng, and the craftsmanship is extremely fine. The aquarium woman, in Tsing Yi, has no embroidery, is dressed up and down with silver, black and white, and can reach the realm of the United States. The Jingpo, Dai, Hani, Lahu, Yi people and other ethnic groups in Yunnan are decorated with silver bubbles representing Xingyue. In the folklore beliefs, the stars symbolize multiple children. The moon is the goddess of the main child. The clothing on the clothing is decorated with silver bubbles, which is to pray for people to flourish and prosper for generations. The ethnic groups such as the Dai, Yao, Tujia, and Zhuang people are also ethnic groups that advocate silver ornaments, and their silver jewelry also has its own characteristics.
Silver jewelry, on the one hand, shows richness and beauty, on the other hand, it has a deeper social meaning: as a sign of the nation, it plays a role in maintaining a group. In the same nation and the same department, people must wear the same silver jewelry; as a worship, it consolidates the descendants of the same ancestor; as a marital symbol, it brings good order to people's marriage and love life; Witchcraft, it provides people with a sense of life's sense of life psychologically. Therefore, national silver jewelry is no longer a simple decoration, but a complex of culture rooted in national soil.